I went to see the Naked and Famous at the belly up on Sunday. They're quickly becoming one of my favorite bands and if you haven't heard of them I highly recommend you check them out. One of the things that really impresses me about seeing them live again is how much they really dedicate themselves to wringing every last drop of energy out of their songs. This isn't mindlessly throwing yourself around the stage kind of music. This is recognizing the potential for expansive sound in your songs and really bringing that out to the biggest possible point. It was incredible. In doing so, they made their less known tracks more memorable, the gave new life to the overplayed ones. It's the kind of show that reignites your love for a band and that's the second time one of their shows has done that for me.
It made me realize though, there's something so infectious about being genuinely committed to what you're doing. There's something genuine about it that really brings out a similar freedom to commit in your audience. We're so quick to lock up and check our surroundings to see if it's ok to let loose. When the band feels free to do that, it changes the whole paradigm. People start dancing who wouldn't normally. Fans are made. Hipsters start to loose their "I'm too cool for this" edge. It's a good time all around.
By extension we rarely do this in life. More often we let the pressures of our obligations, the influence of friends and community, the dynamic of a place determine our commitment. We are responsive over transformative. The shame in that is the way that it subtley kills the unique transformative qualities that each of us has. We become Eliot's desperate men, quietly allowing ourselves to slip away. I've been trying this week to shake that, to carry a certain boldness into interactions into what i'm trying to do. That probably means I'm going to fall flat on my face and seem ridiculous more often than I'd like but it's probably worth it.